Partial Transcript: I came out at 26. So I was a bit of a late bloomer, and my grandfather had passed away, my first grandparent that I lost. I grew up with both sets of grandparents, and actually my great grandma, and a couple of great aunts, too, which was kind of cool. But when my grandfather died, I kind of went through, "Wow, life is short." So I need to be who I am. So I came out at 26 in Boone, North Carolina when I was there at state. I had been through graduate school and then was teaching, adjuncting there. And I was dating a guy for probably, I guess, six months before I came out to my folks, and I came out at the beach to them. And I'll never forget my sister, we were having drinks at the beach or whatever. My sister brought me a drink with a pink straw, and I'm like, "Really? A pink straw?" Which is really kind of funny because ideas of gender and all that stuff, which is ridiculous. But I came out to my folks. It was kind of hard at first for my family. My dad's a very, play football, John Wayne sort of type of person. And my mom, they both struggled with it. And I think still it's not... The saying goes, "When you come out, you put your parents in the closet." So I think in some ways they still struggle with it. They still love me and support me. They want to come to Pride and them organizing here. They've gone to a drag show, which is awesome. I took them to one in Louisville, and my friend Anthony, who's performer name is Leah, had a booth and everything set up. And my dad was just like, "Bourbon, keep it coming." And my mom, they were kind of like, "Eh," at first, but then really got into it. My mom wanted to stay, actually, to the two o'clock AM show. She was throwing dollars. It was amazing. So they are very supportive, and my sister's been supportive. She was the second person I think I came out to, maybe first person, I can't remember. But she's always supportive, too. So that's sort of I guess where my queer story begins.
Growing up in Richmond, I was raised in a Southern Baptist environment. We kind of hopped around churches. My uncle was a baptist preacher. We went to their church for a long time, and then I went to Catholic high school, a Catholic military, all boys high school. So that was interesting as a Southern Baptist. During high school, I had a girlfriend, but I really had no idea of who I was. I was busy. When I got to college, I was like, "Oh my God, all this free time." It was a JRTC program. I ran all four years of track. I did rifle team. I had no time to myself. So I really couldn't figure out who I was until college. I went to James Madison University for four years and then got my graduate degree at Appalachian State and a PhD at Louisville, was in Indiana for two years, and now I'm at Western. Yeah, all of those have been great experiences. I'm so happy I've learned so much in all of those places and established myself as a queer person I think in all of those places, as well, too. Yeah. That's sort of where my coming out story began I guess.
Segment Synopsis: Travis opens up about his environment while growing up in Richmond and his coming out experience.
Keywords: Appalachian State University; College; Coming out; Family; James Madison University; Louisville; Richmond; Southern Baptist; Supportive Family; Western Carolina University
Partial Transcript: Growing up in Richmond, I love Richmond, Virginia. It'll always be where I grew up and home, but I've always felt a certain draw to the mountains. When I went to JMU, I felt drawn there and got really connected there and actually was a member of the Moose Lodge there, too, at 21 years old. It was really hilarious. When you get sworn in or whatever, it was like, "I'm 40 years old, and I work at the plant and have three kids." Then it was me, and I'm like, "21. I'm a junior at JMU." So I was also drawn there. And I took Appalachian studies course in Appalachian literature there, as well. So when I got into Boone, I just totally was drawn in to the region and just felt at home there. And Boone is kind of a [inaudible 00:05:39] from people who live there. It's like a magical place. People often say that the boomerang, people move to Asheville and then back to Boone, but that didn't quite work for me. Yeah, I've always felt drawn there. I went to Louisville. Louisville was great. I really missed the mountains. I had really plugged into the Louisville queer culture there, too, worked with the archive there. And then Indiana, I lived with my partner, which was the best part, I think, that we were together, but it's Mike Pence country. It's like cows and cornfields. The University was great. Indiana University East was amazing, and I had a great support structure there and made great friends, but it never felt like home. In Western, my buddy, Bradshaw, who I went to App State with, told me about the position here, and I interviewed. My partner, actually, had gotten his PhD and got a job up north at Massachusetts Maritime. And then I got this position. And I'm like, "It's great." I did step down from being a writing program administrator, but I've sort of done so much here that it's kind of admin work, too, but it's been really, really great here. In fact, during my job interview, my department chair was interviewing and stuff. I was like, "Yeah, this is pretty much my dream job." And he was like, "Yeah, you shouldn't say that when you interview." He's like, "You just lost all bargaining with me." Yeah, I'll stay here until I retire, honestly. It's just so great. I love it here.
[Interviewer: So do you have any Appalachian literature, queer Appalachian literature that you'd like to recommend at all?] Yes. Silas House is fantastic. Oh, gosh. Silas House, Jeff Bane's great. There's a novel, all my queer stuff is right behind me. There is a novel, Sugar Run by Mesh Marin, M-E-S-H M-A-R-N, which is great, and that's one of the first lesbian novels written about Appalachia. Well, Dorothy Allison always counts. She's probably the very first, and she also falls under Grit Lit, which is the southern category of literature, really gritty, working class literature. And Sugar Run is kind of like that, too. Carter Sickle's The Prettiest Star, that was about a year old, but I get chills thinking about that novel. It's one of the best novels, I think, I've ever read. It's about a man who comes home. He contracts AIDS, the HIV virus and comes home from New York City to Appalachian Ohio where he... Sorry, spoiler alert, but he passes away, but it's about his reconciliation there with his home and about his coming out there. And it's told from his mom's point of view, his sister's, his point of view, and his grandma's. And it's just... That's one of the few books that I literally bought five or six copies for people just to read. I'm like, "You need this." And it's just now out in paperback, too. So that's great. There's actually two collections. One, LGBTQ in Appalachia, LGBTQ Literature and Poetry, I think, in Appalachia, which is published by West Virginia University Press, and then there's story telling in queer Appalachia, which my partner, Caleb, and I are in. We have a chapter in about being run out of a bar in Hillsborough, Virginia, where my book is about. So that's fun, productive trauma. Story telling in queer Appalachia is more theoretical, but it's a great collection. Yeah. So that's a few. If you look in the LGBTQ literature and poetry book that I mentioned, they have a whole bibliography of stuff. It's popping in the field. It's really starting to explode. In fact, University of Kentucky Press is calling for queer fiction, queer publications, indigenous publications and people of color publications. And I have a book contract with University of Kentucky Press, and they're amazing just for that reason. Oh, Jason Howard is another person that's great, another queer writer in Appalachia. Doris Davenport is a poet out of Georgia. She came to Appalachian State and was just awesome. She's fantastic. So those are a few that you can start with. If you haven't ready your Dorothy Allison, you must. You have to read Bastard out of Carolina tomorrow. It'll break your heart, and I taught it and it was horrifying, but it's really, really good.
Segment Synopsis: Travis details his various moves to different parts of the US, but ultimately found home in Western North Carolina after earning his dream job at Western Carolina University.
Keywords: Appalachian Lesbian Novels; Appalachian Literature; Boone; Indiana; Indiana University East; James Madison University; LGBTQ+ Appalachian Literature; Louisville; Moose Lodge; West Virginia University Press; Working Class Literature
Partial Transcript: Sarah Steiner started this archive with drag performer's interviews, and it kind of started from my work with this. I started an archive at Indiana University East, that sort of started a movement up there, as well, too, with queer folks. I had a second level writing course that I had to go around and collect stories, like I've done with this archive, as well, and got a grant to do, actually several grants, to do it up there and got a local poet and stuff there. Not local, but he grew up in Indiana, in the area, and I brought him, gave him some money from the grant to come back and do a presentation. But with this, this archive, we got an internal provost grant to start me, Sarah Steiner and Erin Callahan, who was a linguist in the English department with me, and I think through doing this grant and through collecting these stories, from not only students, faculty, staff members, folks from the community, I realized there's such a rich history here of queer folks. Going back to a group called Out in the Mountains that was established, I think, in the 60s, I need to do better research on that, but these groups come in waves. And Asheville has a Pride, and we know that Asheville is a thriving community. They have Blue Ridge Pride there. That's actually when I lived in Boone where we would go to the "big city" was Asheville, and it was a big... That's where we would go to feel comfortable, my person I was with at the time, to go to the club there and stuff. Woo, shout out to Scandals. That's where we used to go. But I just thought Sylva has this rich history. Why don't we celebrate this? That, and besides that, I'm a part of another group here. So there's sort of a trifecta that's starting to form, and it's great that I'm... Weird that I'm being interviewed now, but it's also incredible because these groups are really starting up. So I can sort of touch base of the beginning of what I like to call it's a queer movement here in Sylva, like in Western Carolina. So it's Sylva Pride, which I started, and it's not just me. I have a whole planning committee, but I sort of struck the match to get going.
There's another group called Sylva Queer Support and Education, and that's sort of like a PFLAG group. So when that group kind of got going here, there were lots of folks, young people in that group who said they weren't comfortable here or they had issues in the high schools here, or they had issues with certain organizations here and needed help. And one of the first things that they said is that they would like a Pride to happen here. And I've always toyed around with starting one. And I was like, "That's it. If we have people uncomfortable in this community, we have to make them feel comfortable as a Pride and as an outreach organization." So Pride should happen September 4th from 11 to four. We're going to have bands playing. There'll be booths for nonprofits and organizations in the area, booths, I mean like tables set up at Bridge Park down here next to the creek. There'll be a Pride Parade at 12:30. Then after that, there'll be a daytime adult, or not adult, family friendly drag show probably at 1:30, whenever we get back from the parade. Then there'll be bands after that, and then that night, there'll be an adult-themed drag show at Lazy Hiker. So it's all... So I have not started. We're not an official 501C3 Nonprofit yet, but I'd like to become that so that we can advocate, not only advocate, but also provide events for folks in the area like drag queens or pay drag queens, but also have drag shows in the area or bring special scholars here, or folks to talk, to be able to pay folks to talk, to be able to pay... This is like pie in the sky, but bringing someone from Queer Eye to come to talk to us during Pride or to provide even supor and to work alongside Western's ICA group, doing that type of thing.
So saying that, I started Pride because of what these young folks said, and we had a picnic. The Sylva Queer Support and Education group had a picnic, and I think 75% of the folks, maybe 50, 50 to 75% of the folks there were younger people, which is great. This is amazing. That's the future. They're the future of this. There's another group, too, that's forming that's really great. So there was a vote. Actually, it's kind of hilarious. I was in a faculty workshop on including indigenous pedagogy, in your classroom. So they were like, "Reach out to indigenous groups in your area." Obviously, they had Cherokee. So I got on their website and looked at their paper, and it was like, "Oh, yeah, by the way, same sex marriage was turned down or didn't go before the tribal council to even go up for a vote." It was not even brought up. It was kicked back. So there's a group that formed because of that, and it's a group of LGBTQ folks or two-spirited people over there that are doing protests, making signs and are becoming pretty great. I don't know a lot of the history about that, but I do know that two-spirited people have a best history going away bag, and that there's lots of scholarship and lots of fiction that's written about that and non-fiction, too, as well. So that's critical, I think, as well, up there. So we have kind of a trifecta here of folks. But anyway, those three groups and so are sort of what's starting the movement here. I will say, with the archive, I'm working with Blue Ridge Pride, and this whole collection is under the umbrella of Blue Ridge Pride, as well. They do incredible work up there. And Asheville has several nonprofits. And that's what I'm trying to get down here for Pride, too, just to either get chapters here or just to make folks know that they're 45 minutes away. They're not far. I love teaching. Teaching is my first and foremost love, but I feel like this is what I've been put here to do, honestly.
Segment Synopsis: Travis discusses his participation in beginning Sylva Pride and the work they do for LGBTQ+ locals.
Keywords: Blue Ridge Pride; Bridge park; Cherokee; Indiana University East; Indigenous Groups; Out in the Mountains; Sylva; Sylva Pride; Sylva Queer Support and Education
Partial Transcript: So Sylva Pride is going to be more event based. So I guess I'm the party planner or something, and they're more advocacy based. Jen, who runs it, and Susan, Susan's a faculty member at Western, and the Jen is a licensed therapist. So that's kind of where she has her own practice here and does work with neurodivergent trans folks, which is really cool. Yeah, she was telling me about that yesterday. Very cool.
[Intersectionality is] something that I'm very much considering about Sylva Pride because in my work with Appalachian Mountain Studies Association, I'm the chair of the diversity and inclusion committee, and we have a very big focus on intersectionality. And actually, I helped write an anti-racism statement last year when everything, when all the things were happening then. So for Sylva Pride, I really would like to give people of color and also the group of Cherokee priority. If there's musicians, I would love to provide them with priority because they should have priority over anyone here in my opinion. But if I can find some more folks to do that, then I want to do it. And I think with resources, too, I think it's critically important to make known and also talk about those issues as well. I am a voracious reader. I just finished, what is it, All Boys Aren't Blue, I think is what it was called, and it was just an amazing text about intersectionality, and I think the more... And again, this is something else that Queer Support could do is to raise those issues and to have folks... I mean, if we could have the author of that text come and talk to us, it'd be amazing. I think it's a issue with us that we need to pay attention to, and that I'm trying to pay attention to as we're forming. I was very cognizant when putting the board together to have people on color on the board, to have people from all walks of life on that board, as well, too. I should say planning committee because we're not really a board. We're not really a committee either, but I guess we will be if we have to go big time.
Segment Synopsis: Travis iterates that he would love more diversity on Sylva Pride's planning committee, utilizing LGBTQ+ people's different identities to be more inclusive.
Keywords: Diversity and Inclusion; Intersectionality; Sylva Pride
Partial Transcript: There was an editorial in the paper that was, as an English professor, not very well written in my opinion, that was complaining about it being on Labor Day weekend. And I'm like, sorry about it. That's the only time that we can schedule it. And also, Labor Day celebrates everyone, including queer folks. So your point's kind of mute. So I did have that. One thing, I was involved with Reconcile Sylva and the marches against the statue that's still up there, but one thing is that there's going to be backlash. There's going to be people talking on Facebook and on social media and all that. Okay. Great. Let's record that and put it in the archive then and have it be more reason to have Pride now.
Now, I will say, anybody threatens, if I get one single threat anywhere, social media, regardless, it's going straight to the cops, going straight to the police. I have zero tolerance about that at all. Yeah, and the police department's been really helpful already so far with working with it. One thing that we're sort of still working towards is closing the street. It takes a lot of money and protection to close the streets to move the cars around, especially since there's become a big thing happening here. I think that needs to happen. I don't think we can fit on the sidewalk anymore. So sorry not sorry. And if we need to raise up money, we can. That's not an issue. Another group that I haven't mentioned is Calliope Stage Group, which is a local theater organization here in Sylva that started, they got the same grant. Ashley [Wasmond 00:26:46] is her name, got the grant to start a local theater company, and I actually have a piece in there based loosely off some of the stuff in the archive. And that's a great, incredible group that's again, a big advocacy group here as well, too. There's actually... I helped organize so many drag shows, it's absurd, but there's a drag show on Saturday that's to benefit. Colliope does a youth and a kid's camp for theater, and so all the money from the drag show is going to go towards the kid's camp for scholarships for folks to come to that. It's incredible. Even Ashley was saying one of the most powerful moments during that camp was that this young person was just kind of withdrawn the whole time, and a lot of them were like that because of COVID anyway, but just the whole time was really withdrawn. The person came out and said that they were trans and that they felt this way about their body and about their life and about their identity. And then their performance, just whole new person when they came out. That gives me chills again. And during the actual production, they didn't have time to change the person's pronouns, but the other actors in the play automatically changed them. So it was... That's why I want to do Pride. That's why I want to do this work here. If we can make folks like that feel comfortable and welcome and that their identity is welcome here, I think that's the work that we can do. And of course, there's a great Willy Nelson quote that says, "If we ain't having fun, we ain't doing it right.". Always have to have fun. If you're not having fun, you're not. I always love my job, not every aspect of it, but for the most part, I'm privileged to be in the position that I'm at. So I'm trying to pass that privilege on to other folks, too.
Segment Synopsis: Travis recalls some of the more difficult moments while organizing Sylva Pride, but ensuring LGBTQ+ people comfort in their identity makes his work worth it.
Keywords: Calliope Stage Group; LGBTQ+ Youth; Reconcile Sylva; Transgender Youth
Partial Transcript: I think when a lot of this stuff with the sort of social movement that happened after George Floyd and Breonna Taylor and all of the sort of marches and things that happened, Black Lives Matter marches, I felt compelled to join in and wanted to do something, and did. I didn't go to the first march here, but I think there was maybe two other ones, at least one other one. I spoke about the statue. Born and raised in Richmond, Virginia, I went to high school downtown, I ran around these statues. I saw them every day for four years pretty much. And not only that, we were 30 minutes from downtown, too. My dad worked down there. I'm born and bred away from my great grandparents in Richmond. And I was ignorant about the statuary, why it was put up. I mean, to realize it was put up in the 20s or even before that during Jim Crow is just absurd. And I wrote a pretty good editorial in the Sylva Herald, too, as well, about my feelings towards that. And these are not only monuments about racist monuments, but these are also folks who were probably homophobic. I mean, I can easily say that. And I sort of addressed that in my book chapter, as well, in story telling in queer Appalachia.
So the group, we did a lot of really great, the march, and then we did some protesting at the statue, and we were doing that a lot. But that takes a lot of energy, a lot of extended energy to do for a long time. And then when Biden got elected and things started to change and the vote was done, we were just kind of fizzled out. And honestly, one of my really good friends here Erika, who passed away tragically, kind of fizzled out after she died, too. But they're changing the name on the statue, which to me is ludicrous. It's absurd. Take it down. If it's become an emblem of hate, take it down. That does not belong in my city or in my town. And it's not in my city in Richmond, Virginia. They're gone. Good. Put them somewhere else. Put them in a park or a put them in a graveyard. We have so many of those here where people can go and acknowledge and that type of thing. Looking at statuary, I have another colleague of mine at Indiana University East, has done research on Lenin statues and how they have just parks of Lenin statues that you can walk through. There's plants and stuff growing on them and that type of thing. So we have lots of options of moving them other places. Yeah. I think they need to be moved, and I think it's high time that we acknowledge Cherokee folks here, folks whose land this is in big ways. I know that Western has a continued partnership with the EBCI and has the statue on campus, but we continue to work with them, too, and that's one of my goals as well, too, one of the things that I need to work on is to reach out and to work and to learn. And one of the biggest things I think I can do as a cis man, gay man, white man, is just to sit and listen and learn. And I think that's one thing that I got out of Reconcile Sylva is you can't put the work on folks who are oppressed. You have to do your own work to read and to learn, and I think that's one of the most powerful things that I'm doing now. I'm consuming everything that I can over this summer, and I like to. I mean, as faculty members, we can audit courses. It's amazing. You just take a course for free. It's crazy. So I would love to take a Cherokee language course. That would be so cool. So yeah, I know that was sort of a long-winded question about Reconcile. Reconcile, it's still going. There's still social media on there. I'm just don't have... With Pride and everything I'm organizing, I just don't have time for it anymore. But I'm all about the cause.
Segment Synopsis: In this segment, Travis discusses his work with the anti-racist organization Reconcile Sylva during the 2021 Black Lives Matter movement.
Keywords: Black Lives Matter; Cherokee; Confederate Statues; Reconcile Sylva; Sylva Herald
Partial Transcript: So my book is from my dissertation, and my dissertation came from a project that I did as a masters student at Appalachian. It's about the shootout in Hillsville, Virginia in 1912 when a man, Floyd Allen, came into the courthouse and was put on trial. And basically, shots rang out in the courthouse, and folks were killed. Obviously, many people were harmed, and it was front page news until the Titanic sank 1912. So it was a lot of media coverage, ballads were written about it. There's old novels that are written about it as well, too. There's actually graphic comic books that came out about it that are so cool. I just love that. There's a rock opera that was written about it, and there's lots of museums. There's three different museums that I analyze in the book and look at how the story is retold and the rhetorical circulation of that story. So how is it retold? How do they pick it up and guide you through the story in certain ways? And my last chapter looks at the women of the shootout who have been largely ignored in the telling of it. And I went to the archives in the library of West Virginia and looked at letters from them and the play that's written from a lot of the women's point of view, I analyze what they say there, too. So that's the book. There's not a lot of queerness in that book at all whatsoever. Yeah. Pretty much zero, but that's a more public memory. When this happened, too, it was the start of the hillbilly figure, as well, too, and the gangster figure. So you'll see in an op-ed, in a political cartoon, the Allens are portrayed kind of like a gangster figure. So it's fascinating. And I love it. I've been doing that for probably over ten years now, and I've not grown tired of it at all, and I'm excited to work back on the book whenever I pick it back up. It's out to reviewers now. I'm going to probably turn 40 years old and have a book baby. So we'll see.
But as far as my other work, so after the book, I have taken this sort of queer turn. Like I said, the book chapter in... I don't think I have it here. Oh, here it is. In this book, Story Telling in Queer Appalachia, I'm holding the book now. I know this is going to be in transcript, which is available at City Lights and at your local book seller. It's also at the library. But in that chapt... God, I'm plugging the book in the archive. Good Lord. But in that chapter, Caleb and I do talk about queer methodology and methods because when I was interviewing folks there in Hillsville, I was dressed very much as I am now except I have shorts on. I was very cowboy boots, khaki pants, collared shirt, and I knew that I was doing that. And then we went out to eat after I'd finished my interviews, and Caleb was in a tank top, I don't know why this sticks in my mind, a tank top with cats playing pool on it. I don't know. And I think I had on a Cincinnati shirt and hat. We both had on shorts and flip flops because it was July in Virginia. So our chapters about queer researching and how you present yourself and how you can be interpreted in embodiment and also precarity because I was asked... This guy came up to us and was talking to us. This is the title of our book, by the way, and just came up and asked, "Are Y'all Homos?" So I'm like, "Thanks. Title of our chapter. Great.". But in that conversation, too, he did tell us, "Well, you got about 10 to 15 minutes to get out of here before people show up and there could be trouble." Or there will be trouble, is what happened. And folks in motorcycle cuts started showing up. So Caleb and I got our food and ran out the back door, quite literally. And we were lucky too with that that we didn't get hurt because we both know, there are horror stories about folks getting gay bashed and that type of thing.
So that chapter, Caleb and I wrote together and has very much, we depend on a lot of queer scholarship as well there. I just finished another book chapter on The Tacky South. There's a singer songwriter out of Texas called Robert Earl Keen who is a big, Robert Earl Keen Jr., who's a big singer songwriter there. And the collection's on The Tacky South. So I look at two of his songs. One is Merry Christmas from the family, which is, Montgomery Gentry covered it, but his version's better. But it's about kind of if you've seen Christmas Vacation kind of like a family like that. It's very much in line with my family, too, which I love, a sort of working class, tacky version of the south and west folks. But I talk about in that book chapter about how that sort of working class stuff allowed him to write the song called The Great Hank, which is when he puts Hank Williams in drag and has him perform. And it's so good! It's such a great song. So I look at that and the reasoning behind that and how tackiness is portrayed in there because drag is always tacky and campy and wonderful and beautiful and makes fun of gender and that type of thing. The absurdity of the gender binary is basically what drag is, which is why I love it. So yeah. And I'm leaning more into queer stuff, writing about queer things now, too. Yeah. That's that question. [Interviewer: Do you know what has pushed you to write more about queer things? Has it been your involvement with the archive or the archive's past? Or was it just a gradual occurrence?] I think it was a gradual occurrence. I'm not giving up my public memory stuff and nor should I. I mean, you can still do... I mean, this archive is a public memory in a sense. It's a digital public memory. And there's an article in me that's going to come out about that at some point, too, about not only this but using archiving, queer archives in a composition classroom so the wrapping it around pedagogy, as well, because I've done this several times, at least twice, three times technically. I did it in Louisville, too. But incorporating that into the classroom. So I think the archiving stuff has kind of pushed me along, too, and also I've just kind of, again with the Willy Nelson quote, if you're not having fun, you're not doing it right. I have another article in me that's going to be about prosthetic memory in the movie Dumpling, the prosthetic memory of Dolly Parton and how she's not even in the movie, but her celebrity is in the movie and that allows for intersectional feminine power in that movie.
Segment Synopsis: Travis details the various pieces of literature he has authored and how his writing has become centered around the LGBTQ+ community.
Keywords: Floyd Allen; Gay Bashing; Hillsville; Hillsville Courthouse Shooting (1912); Queer Archives; Robert Earl Keen Jr.; Tacky South; Virginia; Writer
Partial Transcript: So in my living room, I have, it's a Dolly Parton Tarot. It's a print off of Etsy, and it's one my favorite Dolly things. And I think I've become a huge fan of hers even though shamefully have never been, excuse me, to Dollywood, which is ridiculous, but I'm going to go this summer or in the fall, but I think she's done so much for the region but also for queer folks, too, and she says she has a gay dance album that she has in her vault that she's going to release at some point. But there's been a lot of queer stuff written around her as well, which I'm here for. One of my absolute dreams, and I think once I get through this Pride stuff, if I can apply for a grant to go and research in the Country Music Hall of Fame, I would just... That's one of my dreams to do. One of the podcasts that I listen to, Cocaine and Rhinestones, is Tyler Mahan Coe is David Allen Coe's son. David Allen Coe is a problematic figure in several ways, but Tyler Mahan Coe went and interviewed or went into the Country Music Hall of Fame and did all this research, and I'm a big country music fan, and probably know a lot more about George Jones and Johnny Cash and Jim Carter Cash and Patsy Cline than like anybody naturally should, but I love it. Yeah, and I think a lot of the stuff, too, can be wrapped up in the classroom, can be wrapped in what I'm already doing with research, as well. Yeah. I love that stuff so much. I think just one of the last things is just to kind of reiterate the history that we have in this region of LGBTQ folks and just, that's one of the reasons that I'm doing this work as well as the younger people here who don't feel a place or who feel ashamed of who they are or feel not safe. I want them never to feel that way in this town. And I know there's certain places that they are, and that they have to be uncomfortable in, but I want them to know also that there are people here like us that are there by their side and are mentors for them as well. So sorry. End on a sober note there.
Segment Synopsis: The interviewer and interviewee bond over their shared fondness of Dolly Parton; Travis discusses his personal goal of researching in the Country Music hall of Fame and his local goal to make LGBTQ+ folks feel accepted in Sylva.
Keywords: Country Music; Country Music Hall of Fame; Dolly Parton; LGBTQ+ Youth